Consonantes y patriarcas. Testimonios de un artificio poético barroco

Abstract

Are gathered and studied in the present work an amount of twenty
nine poems belonging to an odd pre-Baroque tendency to formal experimentation, consisting in use, for the rhyme, a name derived from biblical onomastics.
Such a tendency, which found a certain success during the 17th century, seems to find its origins in provenzal trovar clus, although it would have arrived to Spanish poetry through petrarquistic lyric poetry.