Cases and episodes of amputatio vocis in Romanic Poetry: between Bernart de Ventadorn and Garcilaso de la Vega

Abstract

The article describes the topic of the display of desire from the Troubadours to the Renaissance, distinguishing two paradigms (or theoreticals patterns): first, deconstructiv, breaks the subjet into the pathology of the expressive impotence (or amputatio vocis); other, reconstructive, organizes the subject verbally by means of a word faithful to the feeling.